Anxur in Jazz

The Monte di Giove Anxur, one of the most suggestive archaeological sites in Italy, is painted in Jazz with the Anxure in Jazz review.

Artistic direction: Rosario Giuliani
Organization and press office : Saint Louis Management

The Monte di Giove Anxur, one of the most impressive archaeological sites in Italy, is colored with Jazz.
The Festival, strongly wanted by the Municipality of Terracina, uses for the first time the artistic direction of Rosario Giuliani, who in such a delicate moment, wanted to honor his land by promoting the return to live music, inviting on stage exclusively Italian jazz artists.

Anxur in Jazz edition 2021 from 19 to 21 August, 3 days of prestigious music, with the protagonists great names of Italian and international Jazz such as Danilo Rea, Fabrizio Bosso, Enrico Pieranunzi, Paolo Damiani, Luca Bulgarelli, Fabio Zeppetella, Fabizio Sferra, and, of course, Giuliani himself.
A rare beauty encounter between land, sea and music.
Anxur in Jazz 2021th years edition has promoted international experimentation and the best emerging Italian artists, giving room to the most varied musical offer of multi-version sounds. Javier Girotto and Natalio Mangalavite will be the Special Guest of the 2022 edition of Jammin’, three nights of concerts – September 14, 15 and 16 – on the stage of the Auditorium Parco della Musica.

Anxur in jazz

The Concerts

19 AUGUST

GIULIANI / BOSSO “CONNECTION”

Rosario Giuliani – sax, Fabrizio Bosso – trumpet, Alberto Gurrisi – Hammond, Marco Valeri – drums

Two outstanding Italian musicians, Fabrizio Bosso at the trumpet and Rosario Giuliani at the sax, lead the quartet completed by Alberto Gurrisi at the organ and Marco Valeri at the drums, performing in a repertoire of great interest, both of standard and original compositions, with strong rhythmic connotations.

An emotional journey that arises from the human and musical encounter, which has now lasted for more than a twenty years, of two great performers of Italian jazz, masterfully supported by Gurrisi and Valeri, also considered out-of-class in the national jazz landscape.

Giuliani-Bosso-a-terracina
Fabrizio-Bosso
Bosso-Giuliani
Bosso
Bosso-Giuliani
Marco-Valeri
Giuliani
Pieranunzi-Bulgarelli

20 AUGUST

ENRICO PIERANUNZI DUO

Enrico Pieranunzi – piano, Luca Bulgarelli – bass

Pianist, composer, arranger, he has recorded more than 70 CDs in his name ranging from piano alone to trio, from duo to quintet and collaborating, in concert or recording studio, with Chet Baker, Lee Konitz, Paul Motian, Charlie Haden, Chris Potter, Marc Johnson, Joey Baron.

Multi-awarded as best Italian musician in the “Top Jazz”, annually nominated by the magazine “Musica Jazz” (1989, 2003, 2008) and as best European musician (Django d’Or, 1997) Pieranunzi has brought his music on stage all over the world performing at the most important international festivals, from Montreal to Copenhagen, from Berlin and Madrid to Tokyo, from Rio de Janeiro to Beijing.Since 1982 he has travelled several times to the United States giving concerts in various cities including New York, Boston, San Francisco.

He is the only Italian musician ever and one of the very few Europeans to have played and recorded several times in the historic “Village Vanguard” of New York with Marc Johnson and Paul Motian (Camjazz, 2010).He was awarded in 2014 the Echo Jazz Award – German equivalent of the American Grammy – as Best International Piano Player for his “Live at The Village Vanguard” with Marc Johnson and Paul Motian (Camjazz, 2010).The prestigious American magazine “Down Beat” included its CD “Live in Paris”, in trio with Hein Van de Geyn and André Ceccarelli (Challenge), among the best CDs of the decade 2000/2010. Top Jazz 2020 as the best musician of the year.

Bulgarelli
Pieranunzi

21 AUGUST

REA/DAMIANI “DESIDERI TRADITI”

Danilo Rea – piano, Paolo Damiani – bass

Damiani and Rea have played together for over 30 years in different formations. Damiani’s CD “Al tempo que farà” (2007) winner of 3 referendums as best album of the year sees Rea at the piano.

In this new project the encounter between the two takes place on the plane of the melody and an artistic collaboration that over time has turned into a deep friendship. The repertoire includes original compositions of the two artists and very well-known songs of different origin punctually betrayed.

Tradition and betrayal go hand in hand, treason is in this case the highest possible proof of love for a heritage that others preserve with philologically perfect interpretations or massacre with operations of dubious taste.

Here, on the contrary, the developments refer to paths that refer to an idea of multiplicity as Italo Calvino describes it in American Lessons: What matters in a narrative is not its closure into a harmonious figure but is the centrifugal force that springs from the narrative, the plurality of languages as a guarantee of a non-partial truth.

Damiani-Rea
Rea.
Damiani
Rea-Damiani

FABIO ZEPPETELLA HANDMADE

Fabio Zeppetella – guitar, Roberto Tarenzi – piano, Jacopo Ferrazza – bass, Fabrizio Sferra – drums

Handmade is an emotion that brings us directly into the soul of the author with 9 tracks (except the 8 of the great John Coltrane) all composed “hand” by Zeppetella whose new project finds him leader of a quartet of international jazz musicians: Roberto Tarenzi at the piano, Jacopo Ferrazza at the bass and Fabrizio Sferra at the drums.

The originality of the sound that springs from the fingers of Fabio Zeppetella in this his latest project seems to be created by the artist and cesselled to his image. Equipped with an unparalleled technique and great musical sensitivity, it uses a unique and personal language, the result of a study always focused on the search for a style that over the years has made its own.

He came to elaborate a completely original sound, going from the tradition and music of masters like Charlie Cristian and Wes Montgomery to evoking the be-bop and the hard-bops of the sixties. In his phrasing you discover the dominant aspects of a language never obvious, sometimes virtuous sometimes sweet but always essential.

Its dominant characteristics are the sweetness and strength inherent in the original way of interpreting music, in which the desire to seek a virtual link with poetry is evident.

Zeppetella-quartet
Zeppetella-quartet
Zeppetella-quartet
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